I can’t grip rational leverage on conceptual composites that look like photography but really aren’t even, though they defy any other category and have original photographic components. What are these things?
Continue reading...20. April 2010
My point is that the richness you and I perceive as quality, just like my experience in China, can be like old and new competing for road space. Creativity is analog. There is no such thing as digital creativity, it's only a simulation.
Continue reading...9. April 2010
Mainly, Jeff Goodby is the Creative Director and co-Chairman of Goodby Silverstein and Partners Ad Age's Agency of the Decade. He was the principle guy who made you "get" milk. Kevin Kelly of BigBuzz.com interviews Jeff Goodby in a short video.
Continue reading...25. February 2010
Visual metaphor is not only the staple of advertising but the backbone of all art. James Geary points out in his TED presentation (embedded) that metaphor is when we perceive X = Y. Though, in our struggle to understand visual abstractions, I believe we search for metaphor rather than analogy. We adore closure.
Continue reading...8. February 2010
Just in case you were wondering about my opinion, Volkswagen is the ad winner - for my money (not that it has anything to do with my money) - of the 2010 Superbowl spots and here's why.
Continue reading...1. February 2010
It’s important that we know our best work is yet to be produced. Our best is what is in us now, not what we – or others - admire about the past. Jazz Composer, Maria Schneider, has a story to illustrate this point.
Continue reading...25. January 2010
The committee is usually wrong; yet the crowd is commonly right and incredibly dull. If you’re part of the crowd you’ll be sourced and forgotten. Ji Lee and his bubble project is a good example of how it's done right.
Continue reading...18. January 2010
Evidently neither technology nor egalitarianism does anything to stir the soul, yet, Rauschenberg erases beauty and inspires – or provokes - the heart of an artistic movement. Watch a short video interview with Rauschenberg about his erasure of a de Kooning masterpiece.
Continue reading...14. January 2010
Lately, creative professionals are suffering the heartbreak of a fading uniqueness and coping with the pressure to add value in other ways. Clay Shirky gave his first TED talk in 2005. His institution v. collaboration presentation must have appeared abstract to more folks then than now, nevertheless, Clay’s talk hasn’t faded in value for those of us trying to recover our bearings in a once familiar profession.
Continue reading...11. January 2010
Listening to Ralph Gibson speak, and reviewing his work, something hit me. Yes, his work is simultaneously complex and simple. Its complexity is hidden by simplicity. His chosen frame is the disguise. But moreover, his work over five decades is astonishingly similar and that, to me, is especially remarkable when bearing in mind that I consider changing my approach daily.
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25. April 2010
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