Photography and Quantum Physics Need “The Ideal Observer”

Fri, Jun 18, 2010

Bruce DeBoer, Editorials

Photography and Quantum Physics Need “The Ideal Observer”

Taking a photo allows ownership of the subject.  Many cultures fear loss of soul through photographs. In brutal frankness, photographers characteristically pinch intimacy and trigger vulnerability that only close examination bares. Anyone retouching a high resolution image can tell you they risk knowing way too much about their subject.

Seth Mydanshe in a post for the New York Times blog “Lens” introduces the documentary “Camera, Camera”.  I have yet to see the film but still it inspired this post.

["Camera, Camera" was directed by Malcolm Murray, written by Michael Meyer and produced by Josh Haner, who is a co-editor of the Lens blog and has photographed Laos for The Times.]

Yes. My photography is being deeply affected by the democratization of quality imagery but, wait, there’s more.  The “more” is a cultural affectation that has relatively little to do with me. It has to do with an extreme global loss of the objective observer.

[via Wikipedia] The ideal observer is one who causes no unnecessary perturbations to the system being observed. An observation made by such an observer is called an objective observation. In basic school education of physics and chemistry, we routinely assume that our observations are objective.

But reality seldom, if ever, provides us with ideals. The real observer always causes an unnecessary perturbation of some kind. Scientists must remain alert in their efforts to minimize the magnitudes of these perturbations. The extent to which they succeed determines the level of confidence they can claim in their results and, therefore, the certainty they can expect in their knowledge of things.

As a professional I’ve spent decades making photos and, with unmistakable irony, it took digital imaging for me to discover that I can’t make something better than what is there to take. In other words, the harder I try to make my own reality, the more I am disappointed with its legitimacy. The act of observing destroys what I hope to capture.

While I may want to disappear with a camera in my hand, the ubiquitous photographer is changing what there is to observe. The camera is coming between culture and the unperturbed experience. We are witnessing life through an abstract medium and mistaking it for truth. The souls I steal are now permanently altered no matter how light I tread.

Culture, Photographer, Photography, technology

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