While interviewing Will McFarlane for this video, I was reminded how critically important it is to avoid getting caught up in the nuance of our creative fields. "Music can be math without feel or tone" is one of my take away quotes in part II. Extending that, any field can be dry when devoid of feel or tone".
Continue reading...Thursday, December 31, 2009
Once hearing “creative process”, my thoughts adhere to all those linearly challenged creative geniuses who can barely stay on-task 30 minutes unless gripped by that enigmatic zone frequently termed flow. Followed by an internal chuckle, this thought streams with ease to my bullet-pointed corporate process experiences so often responsible for stifling originality. From there, I quickly drift to George Carlin’s famous oxymoron comedy bit, or Seinfeld’s original observation about the words “head” and “cheese”. Similarly, it’s not apparent that the words “creative” and “process” should ever be next to each other for any reason.
Continue reading...Monday, November 30, 2009
Many of us are heartbroken. We love artifacts of design: the photo, the logo, the brochure, the packaging. As uncomfortable as change feels, our economy has moved away from industry or information and into ideas. Design thinking has replaced designing artifacts as the focus of our creative industry. In part I of the interview for PermissionToSuck.com, NewKind.com CEO David Burney begins to explain how he thinks design is changing.
Continue reading...Monday, November 23, 2009
Your frozen mental picture is attached to a narrative. Dreams feel like movies but the meaningful moment is a photograph in your mind with an ascribed story. Precise and complete recall isn’t called video graphic memory now is it? Video Presentation by David Griffin, National Geographic Magazine Director of Photography with links to Photographers featured in the presentation.
Continue reading...Thursday, November 19, 2009
Ask creative folks how their talent was revealed and you’ll probably hear a story of happenstance: my uncle gave me a camera, I got crayons for Christmas, my preschool teacher was a dancer or a likewise charming story of discovery. It seems as though the opportunity found them. The fit was good; Aptitude harmonizing with occasion led to passion. If only our Education System was interested in discovering talent.
Continue reading...Thursday, November 5, 2009
Vibrancy resides in the problem not the solution. Solutions are commodities. As well, we can find solutions waiting for problems, but how do we find problems? The tough creative challenge is defining the problem – finding the insight – inspiring the pen. Fact is, the solution may actually be in the problem once we find the discipline to define it. In this video from the idea centric website The 99%, Michael Bierut offers a peek at his design philosophy and examples of treated ailments. Regardless of the opening disclaimer about his creative nature, Bierut is a first-class problem finder.
Continue reading...Monday, October 26, 2009
Testimonials are equal exchanges: nothing is more powerful than familiarity with greatness when attempting to strengthen a network. When I ask you to like me, you feel the emotional risk immediately unless I have a network of allies sending a clear message that my greatness is authentic and tested.
Continue reading...Thursday, October 22, 2009
In this video Sutherland reveals what I love about advertising. At its best, advertising adds value by altering our perception of the product. This may sound dirty but increasing your works intrinsic value would do wonders to your emotional health regardless of form, would it not? Adding intangible value can be just as satisfying as “real” value according to Rory Sutherland.
Continue reading...Tuesday, October 13, 2009
Somewhere in your personal history a decision was made to forgo a “real job”; one your parents would understand. Artist, creative director, writer, musician, photographer, actor, fine artist or pick one – you got attention for a talent or liked doing it so much that there was just no room to commit significant time to a profession less flattering gratifying. You became one of them sensitive types whose ego is vulnerably bonded to their work. True objective distance is pointless but it’s best to have a survival strategy.
Continue reading...Thursday, October 1, 2009
I’ve seen time lapse before, who hasn’t? Maybe it’s a shaky seedling sprouting from the ground or a street scene with jittery people. Yet, there’s an emotion to Ben’s short films that I find unexpected. Not only is the still frame that captures the motion well considered but the motion itself has a power beyond the usual “cool” of time compression.
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Tuesday, August 10, 2010
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